The Color of Innocence
In the context of The Picture of Dorian Gray, genius of the well-nigh noniceable and important motifs is that of the color white and its variants, including, but not limited to, pale and listless. The gist of this color evolves as the fiction progresses, changing in relation to Dorians character. While the motif may never physic in ally alter in appearance, it succeeds in reversing meaning completely, signifying the great contrast in Dorians soul between the informant of the novel and the end.
In the very beginning of the novel, as Basil speaks of his starting line encounter with Mr. Gray, he notes that when their eyes met, I [Basil] felt that I was growing pale (9). The motif comes to signify a carriage of timid transparency; as if Dorians honor softens everything around he comes into contact with. Similarly, Lord Henry employs the motif when describing Dorians youth, labeling it as his rose-white boyhood (21). curtly after, Dorian is described as possessing the white purity of boyhood (37). In both of these passages, the motif represents its most basic connotation, that of innocence, particularly, the innocence of youth. gabardine gives Dorians appearance a sense of vivacity. Lord Henry describes Dorians soul as having turned to this white girl [Sibyl Vane] and bowed in worship before her (57). The motif denotes a youthful purity or vitality in Sibyl Vanes soul, most likely one that is shared by Dorian Gray.
Her innocence soon grows to curb innocent affection for Dorian, as after kissing him, She trembled all over, and shook like a white narcissus (74). The motif has not reversed its meaning at this point; rather, it incorporates a celibacy similar to youth and innocence, that of love. Furthermore, as Sibyl Vane performs onstage, Dorian tells how Her pig clustered...
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