Journeys often lead to a greater wizard of ego and understanding of the world.
Journeys argon processes whereby travellers undergo inner growth, changes of perspective, and thrash challenges and obstacles. These changes ultimately result in the travellers gaining a greater sense of ego, and a broadened understanding of the world.
Aspects of physical locomotes and the aforementioned changes that they initiate are reflected through a range of visual and literary techniques in Peter Skrzyneckis poems - Crossing the Red Sea and Immigrants at rudimentary Station, 1951, an extract of Kenneth Grahames The Wind in the Willows, and Mee Ping Leungs installation, Memorise the approaching.
In Crossing the Red Sea, the pilgrimage becomes a purge process which allows the migrants to face the horrors from the Second World War. At the spring of the poem, we are introduced to the migrants as landscape of milk-white flesh. The horny purgation that the tour initiates for the migrants grants them a greater sense of self and understanding of the world.
The title of the work, Crossing the Red Sea, suggests that the journey that the migrants are making is one of danger yet electric arc - just as the Israelites made the perilous journey crosswise the Red Sea to escape slavery, the immigrants are making their journey to leave behind their war-torn country, and to escape persecution and oppression. In Immigrants at Central Station, 1951, vivid visual and aural imagery is employ to portray the migrants journey as one of discomfort, humiliation and uncertainty. Firstly, the paradoxical title of the work, Memorise the Future suggests that a journey twain delves into the past - the realm of memory, and also progresses onwards into the afterlife. In the extract from The Wind in the Willows, differing perspectives of a journey are presented, and various...
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