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Sunday, April 14, 2013

The uncanny, by Freud.

The uncanny is the subject of aesthetics because it has to do with a accepted kind of feeling or sensation with emotional impulses. only when in general aesthetics has neglected to study the uncanny, preferring to centralise on beauty and generally on more official emotions such as: the attractive, the sublime...etc. The uncanny is something fearful and frightening, and such as it has been neglected in the history of aesthetics. Freud get out wed psychoanalytical and aesthetics modes of thought to develop his theory of the uncanny.

What is the uncanny?

Freuds interpretation = uncanny as the class of frightening things that leads us hold to what is known and familiar.

Jentschs conclusions:

1)Uncanny = fear of the unfamiliar

2)Uncanny = based on intellectual uncertainty

Freud will take issue with both of these cases.

The study of the Ger humankind words, heimlich and unheimlich (homely/ unhomely)

Freud defines heimlich in two different meanings:

1)Heimlich = (a) belonging to the ingleside, friendly, familiar, (b) tame (as in animals), (c) intimate, easygoing.

(a)Belonging to the stomach or family, or regarded as so belonging.

(b)Of animals: tame, companionable to man as opposed to wild.

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For example, Animals which argon neither wild nor heimlich

(c)Intimate, comfortable; the enjoyment of quiet content, arousing a sense of agreeable restfulness and security measure as in one within the four walls of his house Is it still heimlich to you in your country where strangers are felling your woods? numerous examples are applied on page (932).

2)Heimlich = concealed, secret, withheld from sight and from others; secretive, private. For example, to do something heimlich behind someones back; to steal away heimlich; heimlich meetings and appointments...etc. Many examples are applied on page (933).

What from the perspective of the one who is at home is familiar, is to the outsider, the stranger. The...

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