Discrimination and the Arts Essay Example for Free

Discrimination and the Arts Es put1. W.E.B Du Bois makes a strong and persuasive argument about double consciousness and racial struggle in America. outcome THIS QUESTION Do you agree that artbroadly definedcan be an antidote or a form of resistance against certain kinds of distinction? 2. Take a position on this issue by first exploring at least three of our course texts, starting with Du Bois and leading through some(prenominal) of our early(a) readings (Martin Luther King, Alice Walker, bell hooks, or any of the other writers weve read in this unit or the previous unit on disability). IN OTHER WORDS, you must(prenominal) work Du Bois and at least ii other authors in Cultural Conversations. Is there, for typeface, an art to the practice of nonviolence such as King describes, or to the use of language discussed in Linton and Slackjaw? 3. Ultimately, your exploration of these connected ideas should lead to a clear position of your own, and you must demonstrate in this pi ece that you can synthesize a number of differing ideas in the pursuit of your own argument. We will discuss strategies to do so in class. 4. Provide an example from contemporary culture of deal resisting (or non resisting) discrimination.Use this example to demonstrate your position on art as resistance. Consider questions such as would art have helped the less empowered people fight back? Did art play a part in the arguments against discrimination? In what ways does art address discrimination in your example? You may use print or web sources for this example as long as you document these carefully. In addition, you must define what you mean by art in order to construct a strong argument. 5. Include in your paper an acknowledgement and rebuttal of an opposing or counter-argument.This section of your paper may be short, but it is a vital aspect of your paper, so dont forget to include it. IN OTHER WORDS, give the other side of your answer to the top question about art as an effect ive form of resistance and then argue against it. If you answer yes, then say how people could argue no and argue against them. 6. You will need to use at least five sources for this paper THREE from Cultural Conversations (Du Bois plus two others) and TWO related to your example (they can be nonscholarly).7. GRADING BASED ON forming a thesis, showing originality, constructing and organizing your argument, usingtextual evidence, showing you understand the master(prenominal) themes of the course/unit, meeting stylistic and grammatical standards, and finding and using sources. 8. Use MLA format and citation style. Also use 1 inch margins and Times wise Roman or similar font. No cover page please. Number your pages and include a header with your name and my name on it. Staple your paper. move intot forget a title. Proofread.W.E.B. Du Bois Marcus Garvey Booker T. WashingtonLangston Hughes Anna Julia Cooper Frances E.W. Harper Anonymous ReviewerLifting the Veil of Ignorance, B.T. Wash ington Memorial at Tuskegee UniversityFrom Ralph Ellisons lightless Man (1952)Then in my minds eye I see the bronze statue of the college Founder, the cold Father symbol, his hands outstretched in the breathtaking gesture of lifting a veil that flutters in hard, metallic folds above the face of a kneeling slave and I am standing puzzled, unable to decide whether the veil is unfeignedly being lifted, or lowered more firmly in place whether I am witnessing a revelation or a more efficacious blinding.Bob MarleyRedemption SongEmancipate yourself from mental slaveryNone but ourselves can free our minds.Langston HughesI, Too, Sing AmericaFrances E.W. HarperThe Burdens of AllFrom W.E.B. Du Bois Criteria of black ArtPAGE 160 The apostle of beauty thus becomes the apostle of truth and right not by choice but by inner and outer compulsion. on the loose(p) he is but his freedom is ever bounded by truth and justice and slavery only dogs him when he is denied the right to tell the truth or recognize an ideal of justice Thus, all art is propaganda and ever must be, despite the wailing of the purists I do not care a all-fired for any art that is not used for propaganda. But I do care when propaganda is confined to one side while the other is stripped and silent.