Movie and the Society Essay

The pleasure of watching pieceizations is considered vital in our society today. It make passs us a temporary escape from reality and allows us to bobble in a world of thrills and chills within the persona of each character in the motion-picture show that we watch. We also find ourselves contemplating on the identities of characters and somehow see a part of our life in theirs. Typical reaction of movie goers argon good, boring, exciting and O. K. Peoples judgment is found on their feelings and how the flick make them feel that focusing. Are they triggered with fear during the movie? Did they peculiarity up crying?Did they feel good at the end of the movie and leave the theater with a smile on their faces? This advance in analyzing a movie is non really bad, since feelings and sensual pleasures ar part of humanistic approach and initial reaction. An audience tends to react establish how they exactly feel right after theyve seen a hire how they indulge in fantasy on mag ical movies, how they drop off their position during disbelief and horror motion-picture shows, and how they feel the triumph of heroes and heroic figures on suspense and action films. Movies give us a two- to three-hour do it that we often leave out in our daily lives.They also give us ideas and make us try to imagine what kind of life atomic number 18 we going to witness if we atomic number 18 in the shoes of the characters that we have watched. Movie Construction Movies atomic number 18 not solo judged according to our feelings and emotions besides also with ideas and assumptions. The plots and story give us a better vision and meaning of our own lives. closely people ar not good evaluating, examining, and analyzing movies. Most people striket bother to think ofttimes beca practice session they are after the experience of feeling different emotions or they just love the actors and actresses of the film.As a student who is in line with film studies, I think versat ile anchors should be used in analyzing movies. With this learning, we dont whole jollify the film that we are watching but be more than edged observers on the different aspects of movies that filmmakers tend to hide from us how the film is do and what values are promoted (Kolker, 1999, p. 33). We often forget that films are not only artificial construction where people on screen are only projections from television and do out of cameras and videos.We should bear in mind that these films are results of thousand hours of writing scripts, directing, acting, shooting, redact, cutting, and splicing. Most filmmakers tries their best and makes them forget that its just a story by making sure that there is no equipments ilk cameras or microph onenesss seen as a part of the filming context. They also maneuver very hard to keep us from noticing how the film is pieced together from the footage taken in many different places, from many different camera positions, and over a much l onger period of quantify than we experience in watching it.Because were used to thinking that seeing is believing, that limnings dont lie, it is easy to feel as if what we are seeing is really happening. (Mast, 2008) sanctioned Terms in Movie Analysis Shots These are streams of images which are not interrupted by modify it is a continuity of mental pictures and where graphics are formed by serial of still frames. In order to be able to think about a film, we have to resist the disruption of disbelief in order to pay attention to how the film is throw together. Start by noticing when one shot ends and another begins.In film studies parlance, a shot is any unbroken, unedited length of film. (Kolker, 1999, p. 33) In closely films shots gives us as reliableation regarding scenes and characters. We toilet see the emotions and predict future yetts base on shots provided in the film. Like the extreme long shots that gives us the general scenario where the enemies and soldiers begins a battle. Most of the time shots are cut through editing so that it will appear as one to the viewer but in reality it is taken with series of shots to make up one particular scene.Once we have enough knowledge in analyzing the shots and editing in the movie we can also determine how the film starts to command us and our feelings through the rest of watching the entire movie. Shorter shots gives us fleet pacing of the film and transitions in the events of the characters. When we get used to fast-paced films homogeneous this, films with longer shots and fewer cuts can seem slow and difficult to watch. But, of course, such(prenominal) fast-paced films also make it harder to thinkFilms that constantly use close-up shots of the characters manufacture a higher level of intensity and intimacy than do films which management more on landscape, geography, and other aspects of context. (Mast, 2008) If a film always provides us shots of the characters it gives us the notion tha t these individuals are the most important element in the story and through the rest of the film, places and situations also gives valuable shot as it shapes the lives of the main(prenominal) character. Scenes and Sequences This usually takes place in a single time and place with the characters of the film having a conversation at a given up time.There are times that two scenes are provided in the film alternately showing the viewing audience different scenarios which often combined or talks about the same topic. Sometimes a single scene may contain two lines of action, occurring in different spaces or even different times, that are related by means of crosscutting. Scene and while can usually be used interchangeably, though the latter edge can also refer to a longer segment of film that does not obey the spatial and temporal unities of a single scene. For example, a montage sequence that shows in a few shots a summons that occurs over a period of time. (Film Analysis sop up 2008) Story/ spell This term refers to the overall order of the film. It is consist of settings, time frame, events and the relations among them. Story on the other hand is more extensive sin it is more straightforward especially if the genre is drama where the story is manipulated by the plot to produce dramatic make. Often times we tend to furnish easily a film based on the story without fine-looking consideration to other factors in the film. We easily conclude that this film is made provided to frighten or to make us laugh or cry. Without noticing factors standardized the mise-en-scene.Mise-en-scene This is the overall projection of the film on an audience perspective. each(prenominal) things are put in the scene which includes the setting, properties, wardrobe, airys, acting,etc. Things like this often manipulates the minds of the viewers as they tend to easily judge the character based on its appearance. This is also one strategy that a film critic may use in deter mining the role of each character. For example if the character wears red and the rest of the cast wears pink we can easily consecrate that he is the lead character and the whole story will spread out around him.Props also gives us interpretation regarding future events at once they are used as symbolism in the film. With the use of shots and camera angles we can easily predict a future event like a shot of knife so the lead character then the villain. The mise-en-scene is arranged in a way that the viewer can picture out totally what is happening in the film itself. Genres The type of films are recognized and analyzed based also on its genre. This gives the film certain distinctions in terms of narrative or stylistic conventions, or merely by their discursive organization in influential criticism.Genres are made necessary by high volume industrial production. (Film Analysis Guide 2008) Focus This is another element of film wherein the degree of light rays attack from any par ticular part of an object pass through the crystalline lens and re-converge at the same point on a frame of the film negative, creating sharp outlines and distinct textures that partner off the original object. This optical property of the cinema creates variations in depth of field through shallow focus, deep focus, and techniques such as racking focus. (Film Analysis Guide 2008) The sharpness of an image in a film gives the viewer an eye shot of the main subject. by means of focus we can also interpret and analyze film since we are given enough exposure of the scenes and we feel the intense feeling of the characters using this technique. Rocking focus makes us feel the thrill during chase scenes between the killers and the main character. Editing After shooting the entire film, clips are gathered and series of shots are combined in a single filmstrip. Here the sequence of scenes are added with transitions and uses cuts to remove unnecessary scenes.Hard to achieve effects which cannot be provided by means of humanistic approach is enhanced and produced by editing to give film a more enticing effect. Magics and special effects are added to make films more appealing. Hence this also helps us to interpret and analyze movies sometimes if a film is easily cut without bragging(a) further ado to the audience it may result negatively on the end of the audience because it was edited but with bad quality. Sound and groundless Effects In cinemas, sounds in films does not necessarily need to match the scenes or it needs to be continuous.Sound can also be used to reintroduce events from earlier in the story. (Film Analysis Guide 2008). It gives viewers interpretation of what that scene is for base on the type of songs that is p arrangeed during a particular scene. Lights also gives us predicaments as to what is really happening on that particular scene. Like on love scenes lights are always darker and in general turned off in many movies. While Enhanced light whic h almost blinds the viewers are provided if there are scenes of triumphs and enjoyment. Ideology and rendition of FilmsAfter the given terms and interpretation of film above, We have fall out to understand films as artificial constructions that are pieced together by filmmakers, we can more easily begin to ask nouss about the ideological docket of a film what values it promotes. Because films are cultural products shaped by the historical context of their making they can tell us much about the values and commitments of their makers and their audiences. An ideological analytic thinking of a film that appeals to a viewer can also tell about a groovy deal on ones own conscious or unconscious values.(Mast, 2008) I believe that the real criteria in evaluating an interpreting a movie is by analyzing not only its components in the technical terms of movie analysis but how it appeals to our consciousness and sensitivity as an individual. Our Values and Social duty as impacted by the ty pe of film that weve watched. So that later on on we will drop comments like boring and OK and use more helpful lyric like how the film reinforces you as an individual and how it challenges an assumption regarding a particular topic.Instead of dismissing films because they are slow-paced or be unfamiliar plots or include unusual characters, it may be more inspiring and personally transformative to ask what surprised you about these films and why. For these Studies in cinema films, in short, it will be worthwhile to move beyond the question How did I feel? to the more difficult question What do I think? (Mast, 2008) There are some films that makes viewer easily understand bodies of literature. Movies like Romeo and Juliet are arranged and scripted in a way that can be easily understood in literal and lay mans term.Unlike the words used in the literary piece it is more innovated in terms of using appropriate words and drops off words that are hard to understand by viewers. rootFi lm Analysis Guide (2008). Yale Film Studies Website. Retrieved January 15, 2008 from http//classes. yale. edu/film-analysis/ Kolker, Robert (1999). Film, Form and Culture. McGraw Hill College, p. 33. Mast, Gerald J. Biesecker (2008). How to memorize Movies Intelligently. Retrieved January 15, 2008 from http//www. bluffton. edu/mastg/Watchingmovies. htm